It is the one of the world’s most visited and beloved religious venues – the Basilica of Our Lady of Guadalupe, with a circular, tent-shaped roof visible from miles away and a sacred history that each year draws millions of pilgrims from near and far to its hilltop site in Mexico City.
Early December is the busiest time, as
pilgrims converge ahead of Dec. 12, the feast day honoring Our Lady of
Guadalupe. To Catholic believers, the date is the anniversary of one of several
apparitions of the Virgin Mary witnessed by an Indigenous Mexican man named
Juan Diego in 1531.
The COVID-19 pandemic curtailed the number
of pilgrims in 2020. Last year, even with some restrictions still in place,
attendance for the December celebrations rose to at least 3.5 million,
according to local officials. Bigger numbers are expected this year.
For many pilgrims, their journey to the
site is an expression of gratitude for miracles that they believe the Virgin
brought into their lives. Around the basilica, some people light candles while
praying in silence. Some kneel and weep. Others carry statues of the Virgin in
their arms as they receive a priest’s blessing.
Among the first-time pilgrims this year was
Yamilleth Fuente, who entered the basilica wearing a yellow scarf decorated
with an image of Our Lady of Guadalupe.
Fuente, who traveled alone to Mexico City
from her home in El Salvador, said that she was diagnosed with cancer in 2014
and recovered after praying to the Virgin. When she suggested making the
pilgrimage, her husband and two children encouraged her.
“I’ve loved the Virgin my whole life. I
even used to dream about her,” Fuente said. “My daughter’s name is Alexandra
Guadalupe because she’s also a miracle that the Virgin granted me.”
For the Catholic Church, the image of the
Virgin is a miracle itself – dating to a cold December dawn in 1531 when Juan
Diego was walking near the Tepeyac Hill.
According to Catholic tradition, Juan Diego
heard a female voice calling to him, climbed the hill and saw the Virgin Mary
standing there, in a dress that shone like the sun. Speaking to him in his
native language, Nahuatl, she asked for a temple to be built to honor her son,
Jesus Christ.
As the church teaches, Juan Diego ran to
notify the local bishop, who was skeptical, and then returned to the hill for
more exchanges with the Virgin. At her suggestion, he left the hillside
carrying flowers in his cloak, and when he later opened the cloak in the
bishop’s presence it displayed a detailed, colorful image of the Virgin.
That piece of cloth currently hangs in the
center of the Basilica, protected by a frame.
In an annotated edition of the apparition
story, the Rev. Eduardo Chavez – a leading expert on the topic -- said the
Virgin’s appearance occurred in a time of despair. By 1531, 10 years after the
Spaniards’ conquest of the Aztecs, smallpox had killed nearly half of Mexico’s
Indigenous population, wrecking their pre-conquest social and religious
systems.
To many Mexicans, the Virgin’s image became
a symbol of unity because her face looks mixed-race -- neither fully Indigenous
nor European, but a bit of both.
Some academics have said that the devotion
to Our Lady of Guadalupe intertwines Indigenous and Catholic beliefs, though
the Catholic Church rejects this theory. At the foot of the hill that today
accommodates the basilica was a temple for the goddess Coatlicue Tonantzin, and
the date of the apparition coincided with an Indigenous festival.
On a recent day, numerous motorcycle taxis
were parked on one of the esplanades outside the basilica. Abraham García, a
45-year-old driver from the nearby city of Nezahualcóyotl, was there,
accompanied by more than 70 colleagues.
“We come year after year to thank God, the
basilica and the Virgin, and to ask her for help,” he said. “This was a good
year for us, so now we’ll leave even more blessed.”
Many of the drivers’ vehicles have stickers
bearing the Virgin’s image on their windows; others display a statuette of her
under the rear-view mirror.
According to Nayeli Amezcua, a researcher
at the National School of Anthropology and History, images and carvings play a
substantial role in this faith.
“Catholicism is a very sensory religion...
Through many objects, the sacred is transmitted,” she said. “We could think of
them as representations, but for those who believe, the images themselves are
alive.”
Fuente, the Salvadoran pilgrim, is eager to
share the fervor of her faith.
“My entire life is filled with miracles
from God and the Blessed Virgin,” she said. “You could write a book about all
that she has done for me.”